Chloe’s Book Club: By The Shores Of Silver Lake

July 22, 2016

A reader last time mentioned that she felt On The Banks Of Plum Creek was the last “childhood” book. To build on that idea, I think of By The Shores Of Silver Lake as a transitional, coming-of-age book.

By The Shores Of Silver Lake

The book opens with a bit of backstory, explaining that everyone in the family except Laura and Pa had been stricken with scarlet fever. The neighbors had been sick too, so there had been no one to help. Mary has gone blind. Bills are mounting. After this experience, Laura is certainly no longer a child.

Then Aunt Docia arrives and offers Pa a job in a railroad camp in Dakota Territory. Before the family leaves—in a scene I can’t read without getting a lump in my throat—Laura’s beloved dog Jack dies.

In the camp Laura meets her cousin Lena, who has an appealing wild streak. Lena represents the last of Laura’s childhood.

LenaLaura

Garth Williams illustration.

The girls set out in a buggy to deliver laundry:

The trotting ponies touched noses, gave a little squeal and ran.  …The ponies were stretched out low, running with all their might.

They’re running away!” Laura cried out.

“Let ’em run!” Lena shouted, slapping them with the lines.

And when the girls hear about a thirteen-year-old getting married: “May I drive now?” Laura asked. She wanted to forget about growing up.

When Lena takes Laura riding on the ponies, Laura confesses that she’s never ridden before. That leads to one of my favorite lines: (The pony) was big and strong enough to kill Laura if it wanted to, and so high that to fall off it would break her bones. She was so scared she had to try.

Later, when Ma admonishes Laura against spending time with Lena, we realize that Laura’s exuberant fun is behind her.

 

When the family spends the winter alone in a surveyors’ house beside Silver Lake, we see more of Laura’s spirit.

The Surveyors' House

 

No matter how cold the weather, she loves to go outside and slide on the ice:  Those were glorious days when they were out in the glitter of sharp cold. One moonlit night, when Laura is too restless to settle, she talks Ma into letting her and little sister Carrie go outside to run on the ice. The girls cross the frozen lake, see a wolf, and run home. Pa announces that he’ll hunt the wolf.

“I hope you don’t find the wolf, Pa,” Laura said.

“Whyever  not?” Ma wondered.

“Because he didn’t chase us,” Laura told her.

I didn’t have strong feelings about this book one way or another as a child. Now, I find myself lamenting Laura’s inevitable slide toward adolescence, duty, and domesticity. Ma wants her girls to behave properly, with decorum. She wants them to have gentle manners and always be ladies.

For example, one of my favorite passages comes toward the end of the book:

Laura spread her arms wide to the wind and ran against it. She flung herself on the flowery grass and rolled like a colt. She lay in the soft, sweet grasses and looked at the great blueness above her and the high, pearly clouds sailing in it. She was so happy that tears came into her eyes.

But we don’t get to enjoy Laura’s joy for long:

Suddenly she thought, “Have I got a grass stain on my dress?” She stood up and anxiously looked, and there was a green stain on the calico. Soberly she knew that she should be helping Ma, and she hurried to the little dark tar-paper shanty.

Although I find some of the themes sad, I also admire the author’s ability to beautifully convey fictional Laura’s complexities. Re-reading, I found lovely symbolism and language I’d missed earlier.

How did you react to reading By The Shores Of Silver Lake? Is it one of your favorites, or not so much?

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

DeathOnThePrairieCoverWeb

Next up for discussion:  The Long Winter.

Giveaway Winners!

July 13, 2016

Congratulations to Coley!  (Also to Amy Borden, Betsy Cline, Tammy Strey Hirt, Sharon Speck McCay, Emily Neilsen, Jo-ann Pendolina, Tina Roberts, Bella Kristy Stevents, and Sandy Strange Walton, who entered on Facebook.) All are winners my Gratitude Giveaway.

Coley, please message me privately via my website form with your email, postal address, and choice of book. You can learn more about my American Girl titles here.

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Thanks to everyone who entered!

Gratitude Giveaway!

July 11, 2016

I’m wrapping up my latest American Girl project, and celebrating with a Gratitude Giveaway! To enter, leave a comment below by midnight on Tuesday, July 12. On July 13th I’ll pick 10 names at random from all entries here and on my Facebook Author Page. Each winner will receive a signed, personalized copy of one of my 19 American Girl titles—winners’ choice. Good luck!

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Chloe’s Book Club: On The Banks Of Plum Creek

June 22, 2016

Plum Creek is one of my favorites. As a child, I loved the notion of living in a sod house, loved vicariously playing in the creek, loved the image of Laura frolicking on the roof among prairie flowers while Ma irons below. And yes, while I’ve had some quibbles with Ma, I do give her full credit for moving in with grace after being informed the deal is done.

mmm

Laura’s descriptions of the new home are enchanting:

The creek was singing to itself down among the willows, and the soft wind bent the grasses over the top of the bank.

Red and blue and purple and rose-pink and white and striped flowers all had their throats wide open as if they were singing glory to the morning.

The book is full of childhood adventures (and misadventures). And, this is the book that gives us Laura’s nemesis, Nellie Olson.

But not all of the challenges are child-sized. Laura made poignant use of foreshadowing to set readers up for the crop tragedy.

Grasshopper Notice

Display at Laura Ingalls Wilder Park & Museum, Burr Oak, IA.

Early on, when Laura laments having cattle instead of horses, Pa promises that they will have horses again one day.

“When, Pa?” she asked him, and he said, “When we raise our first crop of wheat.”

When Ma says living in the dugout makes her feel like a penned animal:

Never mind, Caroline,” Pa said. “We’ll have a good house next year.  …And good horses, and a buggy to  boot! I’ll take you riding, dressed up in silks! Think, Caroline—this level rich land, not a stone or stump to contended with, and only three miles from a railroad! We can sell every grain of wheat we raise!”

Then Pa buys lumber for a new house (and windows, and a stove)  on credit, with a promise to pay when he sells his wheat crop. It’s difficult for repeat readers not to shout, “Don’t do it, Pa!  The grasshoppers are coming!”

IMG_3739

Garth Williams’ illustration.

The enormity of the multi-year disaster the Ingalls family faced when their crop was devoured is hard to absorb.

But as always, faith, hard work, and a determination to make the best of things lead to a happy ending. Ma and Pa demonstrate perseverance to their daughters. It’s one of Wilder’s favorite themes, but understandably so; somehow, crisis after crisis, the Ingalls family did survive.

DOP-PlumCreekDugoutSite-Color300dpi

Today Wilder fans can visit the dugout site on the banks of Plum Creek.

Is Plum Creek one of your favorites too? What did you like, or dislike? I’d love to hear your thoughts!

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

DeathOnThePrairieCoverWeb

Next up for discussion:  By The Shores Of Silver Lake.

Chloe’s Book Club: Little House On The Prairie

May 19, 2016

Little House On The Prairie in some ways epitomizes the view of pioneer life many readers of my generation grew up with. What could be more iconic than a family packing their belongings in a covered wagon and heading west? Garth William’s cover, showing Mary and Laura watching from the back of the wagon, is classic.

Little House on the Prairie

As always, the descriptions are remarkable.  Here’s one of my favorites:

Kansas was an endless flat land covered with tall grass blowing in the wind. Day after day they traveled in Kansas, and saw nothing but the rippling grass and the enormous sky. In a perfect circle the sky curved down to the level land, and the wagon was in the circle’s exact middle.

Prairie landscape, Little House On The Prairie Museum, Kansas

Prairie landscape, Little House On The Prairie Museum, Kansas

Also as always, Laura emerges a real, complex, and thoroughly likable character. When Ma chastises her for complaining:

So she did not complain any more out loud, but she was still naughty, inside. She sat and thought complaints to herself.

And when Mary primly offers to give some beautiful beads she and Laura collected at an abandoned Indian campsite to baby Carrie, Laura—with some silent prompting from Ma—feels compelled to do the same: Perhaps Mary felt sweet and good inside, but Laura didn’t. When she looked at Mary she wanted to slap her. So she dared not look at Mary again.

This book brings out all of my conflicted feelings about Ma. I empathize with her challenges.  Pa takes her to Indian territory—knowing full well that Indian people terrify her! They crossed the ice-covered Mississippi River at its widest point—only to hear the ice breaking up that night; when Pa says they were lucky the ice didn’t break while they crossed she responds: I thought about that yesterday, Charles. The poor woman took the reins during a difficult river crossing when Pa plunged from the wagon to help the struggling horses.

Nonetheless, her fussiness can be annoying. During that dangerous river crossing, the beloved family dog Jack disappears, presumably drowned. When the exhausted dog finally catches up to the family, Ma complains that the happy reunion woke baby Carrie. Really, Ma?

(Wikipedia)

Caroline and Charles Ingalls (Wikipedia)

That said, there is much to admire in Ma. Readers understand that she craves a more genteel life. As an adult, I know what I think I missed as a child:  Ma must have been afraid a lot. On more than one occasion Pa’s life literally is in her hands.  One of the most poignant moments comes when Charles goes down the well to help a neighbor overcome by fumes, and Ma must find the strength to pull him to safety. After everyone is safe: She covered her face with her apron and burst out crying.

She must have feared for her children’s safety too. Still, she always does what needs doing.

This book makes many modern readers uncomfortable due to its portrayal of Native Americans. Wilder signaled something important on page one:  They were going to Indian country. And on page six, she foreshadowed a key scene to come:  Pa promised that when they came to the West, Laura should see a papoose.

While certain scenes and bits of dialogue do make me cringe, it’s important to consider the plot within the context of the time it depicts. Ma hates all Indian people—as she was surely taught to do, growing up when and where she did. Laura is both afraid of and fascinated by Indian people. I see her feelings as a reflection of the personality divide within the family. Ma and Mary are homebodies. Laura and Pa are more intrigued by the outside world.

Little House In The Big Woods ends on such a satisfactory note that at first, it can be hard to understand why the family left Wisconsin at all. Pa’s feelings are explained well, though, and first-time readers take pleasure as they create a new home on the vast Kansas prairie:

We’re going to do well here, Caroline, Pa said. This is a great country. I’ll be contended to stay in the the rest of my life.  …No matter how thick and close the neighbors get, this country’ll never feel crowded.  Look at that sky!

Since I know the story, this type of foreshadowing is all the more poignant. In the end, of course (Spoiler alert!) Charles/Pa discovers that he built his cabin on land that was not, yet, available for settlement.

Replica cabin at the site of the Ingalls home. Little House on the Prairie Museum, KS. (Photo by Barbara Ernst)

Replica cabin at the site of the Ingalls home. Little House on the Prairie Museum, KS. (Photo by Barbara Ernst)

Was it an honest mistake? Did he know all along, and simply presume he could bide his time until the Federal government declared the land officially available to pioneers? Laura scholars are still debating.

In any case, even as a young reader I understood how heartbreaking it was for the family to have labored so hard to create a new home—only to have to pack up and leave it all behind.

How do you feel about Little House On The Prairie? Do you have a favorite, or least favorite, chapter?  I’d love to hear your thoughts!

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

DeathOnThePrairieCoverWeb

Next up for discussion:  On The Banks Of Plum Creek.

Chloe’s Book Club: Farmer Boy

April 10, 2016

I’ll start with a confession: as a child, I didn’t particularly like Farmer Boy.

Farmer Boy

Perhaps it was because I’d already bonded with Laura. Perhaps the description of classroom bullies was a bit too scary. Perhaps Father’s brand of child-rearing was intimidating. In any case, after a single reading I didn’t return to the book until I was an adult.

By then I was working in the living history world, and everything clicked. I loved the insights Farmer Boy provided into period activities. Mother was expert at weaving and cooking and everything else I wanted to learn.

Almanzo's childhood home has been beautifully preserved in Malone, NY.

Almanzo’s childhood home has been beautifully preserved in Malone, NY.

Almanzo is a very real boy. He resents his father’s belief that he isn’t responsible enough yet to help train the beautiful colts. He  hates being youngest, and therefore the last served at meals.  In the Birthday chapter, he gobbles his breakfast so he can see what gift is waiting—and is chastised by Mother.

Mothers always fuss about the way you eat. You can hardly eat any way that pleases them.

As always, descriptions of both the natural world and farming are vivid and sensory, such as these passages from Threshing:

The wind howled and the snow whirled and a mournful sound came from the cedars.  The skeleton apple trees rattled their branches together like bones.  All outdoors was dark and wild and noisy.

…The fans whirred inside the mill, a cloud of chaff blew out its front, and the kernels of clean wheat poured out of its side and went sliding down the rising heap on the floor.  Almanzo put a handful into his mouth; they were sweet to chew, and lasted a long time. 

Fanning Mill

Fanning mill.

One of my favorite scenes comes from Keeping House, when Father and Mother leave the children on their own for a week. In very kid-like fashion they bicker and do all the things they shouldn’t, such as eating all the sugar and sneaking into the colt pasture.

The barns at the Wilder Homestead are not original, but have been faithfully reproduced.

The barns at the Wilder Homestead are not original, but have been faithfully reproduced.

I am especially intrigued by Laura’s inclusion of the terrible moment when Almanzo throws the stove-blacking brush at his bossy sister Eliza Jane, leaving a terrible stain on Mother’s prized parlor wallpaper. Miraculously, Eliza Jane manages to patch the wallpaper so carefully that Mother never discovers what happened, saving Almanzo from the whipping of his life.  “I guess I was aggravating,” she tells him. Eliza Jane emerges as such an unlikeable character in later books that I love this glimpse of a softer side.

My favorite aspect of Farmer Boy is simply seeing the boy who became the adult Almanzo I know from later books. At times I’m taken aback by Father’s parenting style (particularly in the Wood-Hauling chapter, when Almanzo is hurt but doesn’t dare say so). But emerging from these episodes is a boy who is learning to figure problems through on his own.

I love the photo on the cover of this DVD, Almanzo Wilder: Life Before Laura. (Available from Legacy Documentaries)

I love the photo on the cover of this DVD, Almanzo Wilder: Life Before Laura. (Available from Legacy Documentaries)

Almanzo chooses to buy a piglet rather than spend a precious half-dollar on lemonade. Almanzo manages to get the last laugh during sheep shearing season, when the older workers don’t give him enough credit. In Breaking the Calves, Almanzo takes a chance that leads to a runaway situation:

That night Father asked him:  “You have some trouble this afternoon, son?”

“No,” Almanzo said. “I just found out that I have to break Star and Bright to drive when I ride.”

Most of all, Almanzo dreams of being a successful farmer, and of training horses. We’re not surprised when, in the final chapter, he turns down the offer of a softer life in town.

And then, suddenly, the whole world was a great, shining, expanding glow of warm light. For Father when on:

“If it’s a colt you want, I’ll give you Starlight.”

It’s the perfect ending.

Original cover. (Wikipedia)

Original cover. (Wikipedia)

How about you? Was Farmer Boy always a favorite?  Any favorite scenes? Please share!

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

DeathOnThePrairieCoverWeb

Next up for discussion:  Little House On The Prairie.

Chloe’s Book Club: Little House in the Big Woods

March 16, 2016

This is the book that hooked me, as a child, on Laura Ingalls Wilder. I wanted to be a pioneer girl like Laura. I wanted to experience sugar snow, and a country dance, and the sense of security that came from being inside a snug cabin on a Wisconsin winter night.

KAE cabin

I’ve reread the book many times for pleasure. I’ve also studied it as a novelist. Why does this book continue to captivate readers around the world?

(Wikipedia)

Original edition. (Wikipedia)

There are many elements to admire, but for me, Laura’s gift for characterization comes first. Young Laura is captured on the page as a real, complex, endearing child.  Most of the time she is obedient and happy, but she also struggles in ways that are wholly believable and spot-on for a child her age.

scan

One of my favorite scenes.

Here’s an example from the “Sunday” chapter:

“Did Adam have good clothes to wear on Sundays?” Laura asked Ma.

“No, Ma said. “Poor Adam, all he had to wear was skins.”

Laura did not pity Adam. She wished she had nothing to wear but skins.

Her frustration erupts with a declaration:  “I hate Sunday!”

I also sympathized when, later in the book, Laura slaps her sister Mary. Mary is often portrayed as perfect. But in “Summertime,” Mary knows just how to upset Laura—by saying her own golden curls are prettier than Laura’s.

There is much to admire in Ma, but her role in the hair color debate has always annoyed me. When Aunt Lotty comes to visit:

“Which do you like best, Aunty Lotty,” Mary asked, “brown curls or golden curls?” Ma had told them to ask that, and Mary was a very good little girl who always did exactly as she was told.

However, we see another side of Ma in “Two Big Bears.” When she slaps a bear after mistaking it for the cow in lantern light, she tells Laura to walk back to the house. Half-way there Ma snatches up Laura and runs the rest of the way. Pa isn’t home, and although Ma doesn’t speak of her fear, she reveals it by pulling in the latch string. Then she takes the sleeping baby (Carrie) from bed and sits in the rocking chair.

I missed the nuances as a child, but now, I understand why Ma wanted to hold the warm, drowsy child in her lap. While Ma and Mary are not my favorite characters, author-Laura drew them well.

(Wikipedia)

Caroline/Ma and Charles/Pa (Wikipedia)

Laura’s close relationship with her father emerges very early in the book. When she is frightened by the wolves howling outside, Pa reassures her—but he also carries her to the window to see the wolves. This scene establishes Pa as protector, and also as a parent who wants to help Laura face her fears.

Pa plays games with Laura and Mary, and plays his fiddle at night so they can fall asleep. His character also emerges as complex and, overall, appealing.

His voice is also the last we hear in the book:

When the fiddle had stopped singing Laura called softly, “What are days of auld lang syne, Pa?”

“They are the days of long ago, Laura,” Pa said.  “Go to sleep now.”

…(Laura) thought to herself, “This is now.”  She was glad that the cosy house, and Pa and Ma and the firelight and the music, were now.  They could never be forgotten, she thought, because now is now. It can never be a long time ago.

I’ve returned to this passage again and again. Why did so many of us, as children, wish we could have lived in Laura’s time? Is it the depiction of a lifestyle that appears, at least, to be simpler?

Reconstruction, Little House in the Big Woods, Pepin, WI.

Reconstruction, Little House in the Big Woods, Pepin, WI.

I now know that it was not. Still, it’s fun to revisit not only the books, but the pleasure they gave me as a child. In my book Death on the Prairie: A Chloe Ellefson Mystery, Chloe does the same thing:

Only another true Little House-lover could understand what the books had meant to her as a child. It wasn’t just that she and Kari had “played Laura and Mary.” Or that Chloe had turned a back yard bower into a private playhouse she called Laura Land—soft grass and green leaves magically transformed into a log cabin. Laura’s adventures had captivated. Laura’s struggles had inspired. Laura had been a faithful friend when no one else understood.

How about you? What was your reaction to reading Little House in the Big Woods? Have your feelings changed over time? Any favorite scenes? I’d love to hear your thoughts!

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

DeathOnThePrairieCoverWeb

Chloe’s Book Club

March 10, 2016

Have you read the Little House books lately? Readers have told me that after reading Death on the Prairie:  A Chloe Ellefson Mysterythey were inspired to revisit the classic series that inspired my mystery.

KAE cabin

That delights me. And what could be more fun for Laura fans than having a chance to chat about the books?

Next week, I’m starting a new feature here on the Sites and Stories blog—Chloe’s Book Club. We’ll move through the Little House books one by one. I’ll share my thoughts about them, and I do hope that you will share yours.

First up, of course, is Little House in the Big Woods. If you haven’t read it lately, now is the time…

(Photo by Kay Klubertanz)

(Photo by Kay Klubertanz)

And then, please join me here next Thursday, March 17!

Cooking With Chloe: Ma’s Vanity Cakes

March 9, 2016

Laura Ingalls Wilder fans likely remember the description of Vanity Cakes in By The Banks Of Plum Creek:

(Ma) made them with beaten eggs and white flour. She dropped them into a kettle of sizzling fat. Each one came up bobbing, and floated till it turned itself over, lifting up its honey-brown, puffy bottom. Then it swelled underneath till it was round, and Ma lifted it out with a fork. She put every one of those cakes in the cupboard.  They were for the party.

They sound deceptively simple, but Laura never learned to make Vanity Cakes.  After the success of her first books, she tried to rediscover the secret. On June 22, 1925, she wrote to her Aunt Martha asking for the recipe:

(Excerpt; original letter in the Herbert Hoover Presidential Library)

(Excerpt; original letter in the Herbert Hoover Presidential Library)

Mother used to make what she called “Vanity Cakes” years ago. They were mostly egg and they were fried in deep fat. When done they were simply bubbles, usually with a hollow center and they were crisp around the edges.  …I would so much like to have the recipe.

Aunt Martha responded:

(Excerpt; original letter in the Herbert Hoover Presidential Library)

(Excerpt; original letter in the Herbert Hoover Presidential Library)

The vanity cake that you ask about is just made out of egg (someone penciled in “one or two”) and flour, a pinch of salt; pinch (off) in little pieces and rolled out as thin as you can and fried in hot lard.  …They were called vanity cakes because there was nothing to them.

If you search the internet for “Vanity Cakes,” you’ll find a lot of blog posts written by people who have tried to make them, most with less than stellar results.

At a program last fall two readers, Kami J. and her mom Sharon, volunteered to make Vanity Cakes and report back. They too were disappointed with the results. (I don’t usually post recipes unless test bakers/cooks are happy with the finished product, but so many people are curious about Vanity Cakes that I’m making an exception.)

Here’s the recipe.

The recipe on this vintage card

The recipe on this vintage card is still available at some of the homesites. (No additional credit provided on this card.)

Note that it does not call for rolling out the dough thinly, as Laura’s aunt instructed.

Kami reported, We ended up adding more than 3 oz. of flour.  The first picture shows the better with that amount.

vanity cakes

There was no way we would have been able to make them into small pancakes without more flour. We added about double the specified amount.

vanity cakes

vanity cakes

We fried them, and rolled them in powdered sugar.

vanity cakes

They tasted OK, but were not very flavorful.

vanity cakes

I checked my copy of The Little House Cookbook: Frontier Foods from Laura Ingalls Wilder’s Classic Stories, by Barbara M. Walker (Harper & Row, 1979).

The Little House Cookbook

Her recipe for 6 Vanity Cakes calls for 1-2 pounds of lard (for frying), 1 large egg, a pinch of salt, 1/2 c. unbleached all-purpose flour, and a shakerful of powdered sugar—almost identical to the printed card.

She notes in the introduction:  …Not all dishes will be greeted with enthusiasm at the table; some are admittedly historic, rather than taste sensations.  But all are revealing in one way or another.

Perhaps Vanity Cakes were simply a novelty for children used to very simple fare. As Laura’s aunt said in the letter, We did not have many receipts (i.e., recipes) (in) those days for we did not have anything to do with (I interpret this to mean they had few supplies to work with.) We used to make them for a change.

If you’re interested in learning more, I do highly recommend The Little House Cookbook.

Have you tried making Vanity Cakes?  If so, I’d love to hear about your experience!

My Residency with Write On, Door County

March 6, 2016

When I mentioned an upcoming residency on Facebook, several people asked, “What’s a writer’s residency?”

A residency involves collaboration between a writer and the community. Every experience is unique, but in this case I had the great good fortune to enjoy a residency with Write On, Door County.

Write On Door County

The organization’s mission is to facilitate and promote writing in Door County by nurturing the work of writers, supporting readers and audiences, and developing opportunities that encourage broad participation. In two short years Write On has accomplished great things, with more projects underway.

My visit began with a week of solitude to write in beautiful Door County, Wisconsin.

Write On Door County

A warm welcome.

I arrived with a looming deadline for my current American Girl project, so I spent the first several days pounding the keyboard. With no distractions, I got it done in good time.

Write On Door County

This was my writing nook. I loved my writing nook.

Then I switched gears to begin serious work on the 8th Chloe Ellefson mystery.  

Version 2

photo 1

Write On includes almost 40 serene acres. When I needed thinking time, I wandered the property.

Write On Door County

Write On Door County

Gorgeous hoarfrost.

Write On has plans to create a center where writers will be nourished, readers encouraged, and the stories of our land shared for generations to come. The design is awesome—for example, instead of demolishing this old farmhouse, the silhouette will be preserved. (Hard to describe, but the plans are impressive.)

Write On Door County

My visit happened to coincide with a special program held in honor of UNESCO’s International Mother Language Day , February 21. (The date corresponds to the day in 1952 when university students in present-day Bangladesh were killed while demonstrating for recognition of Bengali as one of two national languages of East Pakistan.)

Write On sponsored a poetry reading at the Miller Art Museum in Sturgeon Bay.

Jerod Santek, Write On's Executive Director, explains the background of this important event.

Jerod Santek, Write On’s Executive Director, explains the background of this important event.

Local residents read poetry in Polish, German, Spanish, Urdu, Bengali, Hindi, Hungarian, Romanian, and Walloon. Listening to languages I do not speak let me hear their cadence and rhythm. The program was lovely and thought-provoking.

The following weekend I was involved in a program with the Peninsula Music Festival‘s FebFest. Almost a year ago organizers invited me to participate in a concert of Nordic music, inspired by the Scandinavian themes in the Chloe Ellefson mysteries—especially The Light Keeper’s Legacy.

Four musicians performed pieces by Danish, Norwegian, Finnish, and Swedish composers.

Peninsula Music Festival Photo

(Peninsula Music Festival photo.)

I read excerpts from the Chloe novels that emphasized the power of place, and closed with a poem.

Peninsula Music Festival Photo

(Peninsula Music Festival photo.)

We talked about artists of all kinds who were inspired by their landscape.  We talked about the elements music and writing share.  It was a special afternoon.

Write On Door County

Judith Jackson, Karen Nelson, Lori Meyer, Janet Sutter, and me.

On my final day I taught a workshop called Writing Your Family Stories, Your Way. It was a diverse group, united in a wish to capture family history. I hope everyone left inspired to keep writing.

Write On Door County

I certainly did! I’m grateful to Write On, Door County for this opportunity.

***

Write On, Door County offers many special programs.  Not local?  Combine a vacation to Door County with a writing workshop.  Check the Programs page for more details.


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