Archive for the ‘Old World Murder’ Category

Audiobooks!

June 14, 2017

I’m happy to announce that the first three Chloe Ellefson mysteries are now available as audiobooks!To hear clips, or for more information, visit my website.

The unabridged audiobooks were produced by Tantor Media, and narrated by Elise Arsenault, a classically trained actor, singer, and voice-over artist.

I love audiobooks, and so am particularly thrilled with this development. I hope you enjoy these too!

Immigrant Trunks

July 6, 2015

A Settler’s Year:  Pioneer Life Through the Seasons focuses primarily on newcomers’ experience after reaching their destination. But many of the European immigrants’  diaries, letters, and reminiscences included poignant descriptions of their journey from old world to new.

Museums and historic sites like Old World Wisconsin preserve not only the stories, but bits of the travelers’ surviving material culture. And there is, perhaps, no other object more closely tied to the immigrant experience than the immigrant trunk.

Some were plain, and purely functional.

Chest, trunk. CL*314563.01.

This trunk was constructed of pine, with simple iron fittings, c. 1880.  (Smithsonian National Museum of American History)

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This one was used by a Dominican sister from France in 1880. (Smithsonian National Museum of American History.)

Schulz House, Old World Wisconsin

This plain wooden trunk has beautiful ironwork details.  Some immigrants chose trunks with rounded lids, hoping it would keep them from being buried on the bottom of towering stacks of trunks packed in the hold. (Schulz Farm, Old World Wisconsin, Eagle, WI)

Many trunks were painted with the owner’s name.

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(Swiss Historical Village & Museum, New Glarus, WI.)

Add a description…Elk Horn Iowa

(Museum of Danish America, Elk Horn, IA)

Some had a bit of painted decoration…

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(Swiss Historical Village & Museum, New Glarus, WI)

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Swedish Immigrant trunk, 1867. (Smithsonian National Museum of American History)

Wisconsin Historical Museum, Madison,

Trunk used by Halvor Anderson Lovaas on his trip from Norway, 1860. (Wisconsin Historical Museum, Madison, WI)

And some, such as these Norwegian immigrant trunks, were exquisitely painted.

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(Vesterheim Norwegian-American Museum, Decorah, IA)

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This might be my favorite.  (Vesterheim Norwegian-American Museum, Decorah, IA)

Vesterheim Norwegian-American Museum

Rosemaled trunks in open storage. ((Vesterheim Norwegian-American Museum, Decorah, IA)

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Detail on trunk visible in preceding photo. Painted by Ola Eriksen Tveitejorde, Voss, Norway. (Vesterheim Norwegian-American Museum, Deborah, IA)

Artistry aside, any immigrant trunk is valuable because it represents the people who struggled to fit their old lives within its confines. How many times did a family pack and repack it in the weeks leading up to departure? What was the most efficient way to pack?

Vesterheim Norwegian-American Museum

This exhibit at Vesterheim Norwegian-American Museum suggests the difficult choices immigrants had to make. What would fit? What had to be left behind?

First must come the essentials: food for the journey, warm clothes, seeds, necessary tools. People didn’t always have accurate information about what was available in America, or how much it would cost.

And surely treasured mementos of home were squeezed in, too.

Kathleen Ernst, Vesterheim Norwegian-American Museum

Many ale bowls (which inspired my first Chloe Ellefson mystery, Old World Murder) made their way from Old World to New. Since bowls like this one wouldn’t have been easy to pack, they must have been treasured keepsakes. (Artifacts in storage at Vesterheim Norwegian-American Museum)

Wisconsin Historical Museum

This trunk, originally brought from Ireland, is shown with items both practical and, perhaps, “for best.” (Wisconsin Historical Museum, Madison, WI)

For the earliest immigrants, trunks served as furniture and storage in the New World.

Schulz Farm, Old World Wisconsin

The Schulz Farm at Old World Wisconsin depicts a family which had only been in the US for a few years, so furniture was relatively spartan and basic.  A huge trunk provides storage and, perhaps, a place to leave a shawl or book if needed.

But in time, trunks often ended in attics or outbuildings, filled with old clothes or pressed into service as grain bins. Gorgeously painted trunks were once so common, I’m told, that even museums with a focus on immigration had to decline many offered donations.

Wisconsin Historical Museum

This lovely trunk got a second life when Per Lysne, who many credit with the revival of rosemaling in the US, painted it in the 1930s or 1940s. (Wisconsin Historical Museum, Madison, WI)

Every trunk saved is a tangible reminder of the often anguished choices people made about what they might carry, what must be left behind.

Fortunately, hopes and dreams took up no space at all.

(Kay Klubertanz photo)

(Kay Klubertanz photo)

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Want to see more trunks?  Vesterheim has a fabulous collection of rosemaled trunks online.

Old World Wisconsin Locations Guide

May 13, 2015

As the Chloe Ellefson Mystery series grows, I thought it would be helpful to provide a single list of Old World Wisconsin locations that appear in the books.

(Special note:  This Sunday, May 17, I’ll be sharing a preview of the next Chloe mystery, Death on the Prairie, at Old World.  The 4 PM program is free of charge, but why not come early, buy a ticket, and tour the site? You can visit the highlighted buildings, and enjoy springtime activities throughout the outdoor museum.)

SPOILER ALERT: the notes below reveal information about the plots.

OWM – Old World Murder (#1)
THM – The Heirloom Murders (#2)
TOD – Tradition of Deceit (#5)

(Books # 3 & 4, The Light Keeper’s Legacy and Heritage of Darkness, do not include scenes set at Old World.)

Crossroads Village

St. Peter’s Church – The series begins with Chloe walking into the Village and visiting this structure. (Note: The Swiss house mentioned in OWM, is imaginary. All other buildings mentioned in the series are real.)

St. Peters Church, Old World Wisconsin, 1981

I took this photo on my first visit to the site, in 1981. It’s hard to remember the church without its fence.

Four Mile Inn – Chloe sometimes attends the morning briefing held for the interpreter in the basement, which is closed to the public.

Yankee Area

Sanford Farm – The large barn across the road from the farmhouse was the scene of a murder in THM.

As you travel from the Village to the German area, you will see a marshy kettle pond to the right. In Chloe’s time, her office building—Education House—was located out of sight on the far side of the pond. (That’s where I worked for many years.) The area is now closed and not accessible.

German Area

Schottler Farm – During the early 1980s, ski trails were maintained on the site. In TOD, Chloe takes a break from stress by skiing out to this farm, ostensibly to check the stove. (In reality she enjoys baking kuchen and making notes about trouble in Minnesota.)

Schottler Farm, Old World Wisconsin, 1981

The Schottler house, 1981. The farm looks much better now, with gardens and fences and more outbuildings!

Norwegian Area

Kvaale Farm – This farm plays a key role in OWM. Chloe visits the farm while searching for the missing ale bowl, and Roelke is called to the farm after an alarm is triggered one night. The climax scene takes place in the farmyard. Be sure to visit the stabbur, where Chloe found the bowl (the 2nd story is not open to visitors) and the barn where Chloe tries to hide from Joel. Inside the house you’ll find an ale bowl on display on a high shelf.

The climax scene in Old World Wisconsin takes place in the Kvaale farmyard.

The climax scene in Old World Wisconsin takes place in the Kvaale farmyard.

Finnish Area

Ketola Farm – Chloe especially loves the sauna, which is the first small building you’ll encounter. In THM she visits to enjoy some quiet time after-hours, and gets locked inside.

* * *

Much more detailed Locations Guides for Old World Murder and The Heirloom Murders are available on my website.

Old World Wisconsin is a great place to visit any time, any season. Happy wandering!

About Those Trailers…

June 12, 2014

Readers sometimes wonder if I exaggerated the artifact storage conditions when I wrote Old World Murder. Well, here is one of the trailers Chloe discovers when she begins her job. (When collections care was tacked onto my job as curator of interpretation at Old World Wisconsin in the 1980s, this is what I inherited.)

Trailers II

In a former, happier life, the trailer had served as Wisconsin’s Historymobile, as celebrated in this recent image from a Wisconsin Historical Society newsletter.

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The Historymobile was retired as Old World Wisconsin was being developed, and it was repurposed at the site for collections storage. It wasn’t adequate, but with no proper facility, it had to do.

Trailers III

However, soon after I left the site, the situation improved. For the first time, a full-time collections curator was hired for Old World. And the modern storage facility that Chloe (and Ralph Petty) dream of in the book became a reality. (Photos courtesy Old World Wisconsin.)

Coll Bldg II

Coll Storage

While I confess to missing the good old days at times, it’s nice to remember the things that have improved! For a long time now, Old World Wisconsin has had a dedicated Curator of Collections and proper storage for the site’s huge collection of artifacts. Even Ralph Petty would approve.

Old World Wisconsin in Chloe’s Day

May 19, 2014

I’m sometimes asked why the Chloe Ellefson mysteries are set in the 1980s. The main reason is that my own museum career started in 1982. I write from my memories of Old World Wisconsin, and the historic sites biz. (I also think it’s nice to give modern visitors some space between the site they visit now and murder and mayhem, even if fictional.)

I sometimes forget how much Old World Wisconsin has changed in the past few decades, so I thought it would be fun to share some photos of the site in the early years.

The  site opened in 1976, with far fewer buildings than guests see today. A reader shared this photo from 1980.

Old World Wisconsin, 1980

I believe the crew was reconstructing the Hilgendorf Barn at the Koepsell Farm, in the German Area. Below, that’s me and Otto Hilgendorf, who donated the building, in 1982.

KAE and Otto Hilgendorf

This 1983 photo shows the stable in the background, part of a functional farmyard.

KAE Koepsell garden 1983

I took this photo of the Schottler House 1981, when I visited the site for the first time. No gardens, no summer kitchen.

Schottler, 1981

The crossroads village looked pretty spartan then too. Here’s the Four Mile Inn, restored but not yet open.

Four Mile Inn, 1982

The Hafford House looked quite isolated.

Hafford House, 1982

As the years went by at the site, gardens were planted, outbuildings moved and restored, fences added, old-breed livestock introduced. Visitors today enjoy the tangible results of decades of research and work.  If you haven’t had a chance to visit for a while, you’ll be amazed.

By the way, if you have any photos of Old World Wisconsin from the early years, I’d love to see them!

Old World Wisconsin Passes!

October 2, 2013

Gratitude Giveaway! While supplies last, I’m giving away two-for-one passes to Old World Wisconsin, the wonderful historic site near Eagle, WI where the protagonist in my Chloe Ellefson Historic Sites mysteries is employed.

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Here’s the scoop:

Each pass allows you to enjoy one complimentary adult admission with the purchase of a second admission of greater or equal value at the regular price. (You’ll save up to $16.) Passes are valid during normal operating hours through 12/31/13. Passes are not valid for any special events requiring advanced registration, or school or group tour programming.

I would love it, of course, if you used the  passes to visit on Saturday, October 12, when I’ll be signing books and celebrating the release of the newest Chloe mystery, Heritage of Darkness, from noon to 5 PM. Come say hello, get personalized copies of the Chloe mysteries, do some holiday shopping, and visit the site during one of the prettiest times of the year.

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You can also explore the setting for the first two books in the series, Old World Murder and The Heirloom Murders. Locations Guides, which are available on my website, identify the specific buildings featured in the mysteries.  (You’ll find the Guides, and lots of other resources, by clicking on the title links above.)

To request your pair of passes, simply send me your name and postal address. You can use the contact form on my website:  http://www.kathleenernst.com/contact.php

Or if you prefer, email me directly:

kathleen <at> kathleenernst.com   (use normal email formatting)

Old World Wisconsin is a magical place—I encourage those who can to get out and enjoy the site. Special thanks to our friends at Old World Wisconsin for making this giveaway possible.

Location, Location!

August 5, 2013

Creating a vivid sense of place is one of my top goals when I begin a new Chloe Ellefson mystery. Each features real places that I think are very special.

So I’m excited to announce that—thanks to my husband Scott—you have two new ways to explore The Light Keeper’s Legacy‘s setting.

Light Keeper's Legacy by Kathleen Ernst

First is a Google Map.

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You can zoom around, and click on map pins see pop-up photos and descriptions.

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Second is a 12-page Locations Guide with maps and even more photos and descriptions—plus some recommendations for visiting Washington and Rock Islands.

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Both of these new ‘Book Goodies’ are free, and available on my website.  If you can’t visit Washington and Rock Islands, these resources will help you imagine the places described in the book.  If you are able to visit, they’ll help you plan your trip.

TLL-Locations Guide-RockIslandPage448wLocations Guides are also available for Old World Murder and The Heirloom Murders.

Enjoy!

Special Old World Wisconsin Tour — And Tickets Giveaway!

May 13, 2012

Old World Wisconsin is the premier outdoor history museum in Wisconsin, and one of the very best in the country. If you have ever visited Old World, then you know what I mean. If you haven’t yet, then a memorable experience awaits you.

Starting in 1982, I spent twelve years there as an interpreter and curator. When I wrote my first two Chloe Ellefson Historic Sites mystery books, Old World Murder and The Heirloom Murders, I set many of the key scenes in the museum’s public and private areas that I knew so well.

If you’d enjoy seeing where many of those scenes take place, and discussing them, then please join me for an exclusive, before-hours/behind-the-scenes guided tour through the historic buildings that make up a big part of Chloe’s world.

You’ll also have the special opportunity to hear about the historic buildings from Old World Curator Marty Perkins, who knows more about the historic site than anyone else.

The inaugural tour will be held Sunday morning June 10th. Attendance is limited to facilitate Q&A. Prior registration is required. In addition to the tour, tickets provide access to a group reception, and to the museum for the rest of the day. This is a fundraiser — all proceeds go to support Old World. For additional details, including how to sign-up, click HERE.

Want to attend, but the gas pump ate your ticket money?

Don’t despair! I’m giving away one free pair of tickets to the June 10th tour. If you’re 18 or older, you could be the lucky winner. To enter the contest drawing, just send me an email at k.ernst at kathleenernst.com (replace “at” with @). I’ll announce the winner next Monday, May 21st, so reply before then (just one entry per person please).

I hope to see you on the tour!

Leaving Home

February 1, 2012

I’m in Decorah, Iowa this week, doing research at Vesterheim Norwegian-American Museum. Vesterheim features a spectacular collection of artifacts. I’ve blogged before about their alebowls, and about my experiences taking rosemaling classes.

With so many tangible objects to grab attention, it would be easy to overlook a black-and-white exhibit panel. Yet this one captures my attention each time I visit.

Poignant words.

I began learning about and thinking about the immigrant experience while working at Old World Wisconsin. Later I considered the topic more broadly while scripting Cultural Horizons for public television. Questions of cultural identity have played a role in many of my books (including Trouble at Fort La Pointe, Betrayal at Cross Creek, The Runaway FriendHighland Fling, and Old World Murder).  The theme obviously resonates with me.

Immigrant letters sent back to loved ones in Europe provide some insight into the experience of 18th- and 19th-century arrivals in their new homes. More rare—at least for me—are written records of how people felt as they prepared to say good-by. Paintings of tearful farewells convey well  just how wrenching those departures from loved ones were.

Halvor Langslet’s farewell, though, was about saying good-bye to a place. He evidently felt a need to actually write something down—and not on paper, but on a building. I imagine that felt a bit more permanent.

I watched some kids experience the museum recently—kids who are well wired, able to Skype with distant cousins and use their phones to do almost anything. And that’s OK…but I’m glad that museums like Vesterheim continue to collect and share such rare reminders of what our ancestors experienced.

Rosemaling in Vesterheim’s One-Room Schoolhouse

January 2, 2012

I took my first rosemaling class at Vesterheim Norwegian-American Museum in the summer of 2010. I thought it would be a one-time thing, done primarily to gain insight into one of the characters in my Chloe Ellefson mysteries—Chloe’s mom, who is a Gold Medalist in this style of folk-art painting. To my surprise, I discovered that I loved it! (Check out Rosemaling Through Time to see some examples.) I left that first class determined to do at least a little painting once I got home, just to keep my hand in.

Working on my first project, 2010.

Well, my life is crazy-busy and that didn’t happen. I returned to Vesterheim last July for my second five-day class having not held a paintbrush for a year. I’d signed up for the beginners’ Telemark class again, and was happy to see several students I’d met the previous year. I was also surprised to find several experienced painters in the class, including one Gold Medalist.

The experienced students’ work was impressive. Although some things did come back once we started painting, I was frustrated that I hadn’t been able to practice as I’d wanted to.

Beginning my first 2011 project, a bowl.

Then I had a chance to see some of the work being done by students in the other class being held at Vesterheim that week, “Freehand Halling Rosemaling.” That class was taught by Tove Ness, an expert who has her own studio in the mountains of Hallingdal, Norway. Not only did Tove’s students produce wonderful, unique works—they accomplished more in a day than I could imagine doing in…OK, more than I could imagine doing at all. Ever.

Several exquisite examples of the work done in the freehand class.

So for a couple of days my pleasure in being back in a class was tempered by a certain amount of intimidation. Between studying the works of old masters in the museum proper, admiring the pieces entered in the National Exhibition of Folk-Art in the Norwegian Tradition (which happened to coincide with my class), and seeing the amazing work being produced by more experienced students, I felt a bit overwhelmed.

Some of the rosemaled pieces in Vesterheim's collection.

A few of the pieces in the exhibition.

Then I happened to overhear my wonderful teacher, Joanne MacVey, talking with another student about her experiences attending a one-room schoolhouse.  She mentioned something I’ve heard and read many times:  that the younger students tended to advance quickly because they had the opportunity to listen to and observe older students working through their lessons.  Although those in primary grades were focused on their own lessons, they subconsciously absorbed some of what the more advanced students were working on.

Joanne, who is also a Gold Medalist.

And that made me realize I’d been looking at my situation all wrong. Instead of being intimidated, I should be grateful I had the opportunity to learn while surrounded by talented artists and great examples, old and new.

I may be a perpetual rosemaling beginner, since the writing life seems to preclude me finding the blocks of time needed to gain any real proficiency. But that really doesn’t matter. I love painting and its inherent traditions and heritage. I love the challenge of doing something visual instead of creating pictures with words. Taking classes at Vesterheim exposes me to all kinds of knowledge and expertise. It’s something I do for fun, I’ve made some wonderful friends, and stressing about it is really a bad idea.

The finished bowl. (Design by Joanne MacVey.)

So for the rest of the week, I let myself enjoy the process. We painted a bowl first, and then started a box. I didn’t have the box finished by the week’s end, and since I knew I wouldn’t have time to paint once I got home, I pulled an all-nighter in the hotel room after the final class.

My work station at the Decorah Super 8. (I was very careful, and didn't get even a dab of paint on anything!)

Last week I gave the finished box to my mom for Christmas. Big hit.

Box lid. (Design by Joanne MacVey.)

The complete box.

Diane Weston, former head of educational programming at Vesterheim, said that the student/artist community there is like a family.  That’s why a Gold Medalist would enroll in a beginner’s class.  There’s always something to learn, and most of all, it’s fun to spend time with other painters.

Joanne MacVey and Diane Weston, 2011

I also think that the global community (or one-room school, if you will) that practices and perpetuates any type of folk-art, such as rosemaling, forms it’s own family. If you’re at all interested in learning more about one of these old handicrafts, see what opportunities might exist in your area, or check out Vesterheim’s class offerings. Most of all, have fun!