Mining For Justice Event Details!

 

Mining For Justice, the 8th Chloe Ellefson Mystery, is officially slated to be released on October 8th. But we’ve got three special early launch activities planned.

 

 

 

RADIO

I’ll join popular host Larry Meiller during his Wisconsin Public Radio program on September 28 from 11:45 AM to 12:30 PM, discussing Mining For Justice and taking calls from listeners.

Larry’s show is streamed live over the Internet and broadcast over WPR’s Ideas Network (AM 930, 970, and FM 88.1, 88.3, 88.7, 88.9, 89.1, 90.3, 90.7, 90.9, 91.3, 91.7, 91.9, 107.9).

Listeners are encouraged to contact the show to ask questions and make comments. This can be done via Facebook or Twitter, by email to talk@wpr.org, or by calling (800) 642-1234.

 

LAUNCH PARTY

The official Mining for Justice launch party will be held on September 28 evening at the Mystery To Me, Madison, WI, 6:00 PM.

Mystery to Me is a fabulous independent bookstore. I’ll introduce the important themes in the book and answer questions. Enjoy Cornish Saffron Buns and door prizes. 

Yes, there is a Green Bay Packer game that evening at 7:30. We’re starting a little earlier than usual—and Mystery to Me has teamed up with Brocah, just down the street.  They offer great TV viewing, and have specials planned too.

 

CORNISH FEST

 

What better place to launch Mining For Justice than the 25th Annual Cornish Fest in Mineral Point, Wisconsin!  The book is largely set at Pendarvis Historic Site in that charming town.

Saturday, September 30, 11 AM  Mining For Justice Book Talk at the Opera House, 139 High Street.  Free.

Join me as I open a window into my creative and research processes, sharing some of the many challenges I encountered as I worked to construct a riveting mystery while remaining true to the real people of history whose lives I sought to honor.  Books will be available for purchase and I will be happy to sign them!

I will also be signing books at Pendarvis Historic Site during their Crowdy Crawn, 1-5 PM.  Free.

Crowdy Crawn is a Cornish expression that refers to entertainment that is “a mixture of things.”  This year’s event will include traditional craft demonstrations such as spinning, quilting, basket making, knitting, and rug hooking, and Cornish storytelling.

And, I will be signing books during the Pasty Supper, starting at 5:30 PM, at the Walker House, 1 Water Street, Mineral Point.

Pasty Supper and More:   Dine on the Walker House Salad, Beef Pasty, Pasty Sauce, Saffron Bun, Figgyhobbin, Wollersheim Red/White Wine or New Glarus Spotted Cow beer, or other Beverage (Soda, Coffee, Tea).  Pizza for kids.  Entertainment with ghosts and Tommyknockers. $14.25 + tax., 9 and under $6.65 + tax

Sunday, October 1, Mining For Justice illustrated program, Pendarvis Education Room, 11 AM.

Join me for a presentation featuring the buildings and artifacts that inspired plot elements.  Books will be available for sale and signing.  And you’ll have plenty of time to tour Pendarvis afterwards!

I am excited about these launch events, and I hope you can join the fun!  I’ve got lots of other events planned for the fall, too.  You can always find more schedule information on my website’s Calendar page.

Mining For Justice Giveaway!

Eight lucky readers really will get copies now! I’m giving away 8 Advanced Review Copies of the 8th Chloe Ellefson mystery, Mining For Justice–two months before the official publication date of October 8.

To enter, leave a comment below by midnight on Thursday, August 3. Winners will be chosen at random from all entries here and on my Facebook Author Page, and announced on Friday. Good luck!

Wisconsin’s Civil War Draft

The 7th Chloe Ellefson Mystery, A Memory of Muskets, features the challenges faced by newly-arrived immigrants during the Civil War. Two plotlines show how German-born immigrants struggled in the 1860s and how a living history site like Old World Wisconsin can interpret those struggles a century and more later.

Larry H. at the Four Mile Inn, Old World Wisconsin, during a reenactment of the draft, sometime in the 1980s. Note the lottery wheel on the table.

One challenge that divided Wisconsin’s German-American community was the announcement of a draft in 1862. Many men of German birth or descent had already enlisted. Other German immigrants were vehemently opposed to compulsory military service—especially those who had left Europe to avoid just that.

This print shows a draft taking place in New York City. (Library of Congress)

Wisconsin was told to supply over 47,000 additional men to the Union Army. Governor Salomon, hoping to avoid conscription, protested that Wisconsin had already furnished five more regiments than previously required. He also predicted that if the draft could be postponed until after the autumn harvest, voluntary enlistments would rise (which proved true.) But in August, 1862, Salomon was ordered to begin the draft in counties where quotas had not been met.

A draft officer with a different style of lottery box. (Library of Congress)

Resistance to the draft was strongest in several counties along the Lake Michigan shore, where many German and Irish Catholics lived. Protests erupted in Sheboygan and West Bend. In Port Washington, a riot turned violent.

These ballots on display at the Wisconsin Veterans’ Museum were used in Janesville, WI. Each eligible man wrote his name on a disc. Note the tool used to cut them.

The Wisconsin draft was largely unsuccessful. More than a third of the men drafted simply failed to report. Others purchased substitutes.

This draft drum was also used in Janesville.  (Wisconsin Veterans Museum)

And not all the opposition came from eastern Wisconsin. Sheila R., a Chloe reader who is an archivist at the Walnut Creek Historical Society (Walnut Creek, CA), kindly shared several letters she’s transcribed. They were written by David Seely of Elk Grove, Lafayette County, in the southwestern part of the state, to his children in California:

“Oh Ben and Emily what a Sad war this is. …There was a draft here last week of 160 men out of this county, 5 from this grove. There is a good deal of fus (sic) and I understand there is a Company of soldiers at Darlington to force the drafted men into the service as they are not willing go. A good many have run away. Some to Canada and the balance not heard from…” (Dec. 18, 1862)

“They have not been able to force the drafted men from this State into the ranks, we will be in a war here before long if things don’t Change for the better—if the north can’t whip the south the war ought to Cease and North and South compromise on some sort of terms…” (February 7, 1863)

“The people don’t pay any attention to the Draft—I don’t think 500 soldiers could take one drafted man out of this county— the people here are determined to stand up to their Rights and Resist Tyranny.” (February 15, 1863)

“All drafted men are getting their $300.00 to buy out from the service, and those that Cant Raise it will have to go poor Devils.” (November 23, 1863)

Clearly, this was an important issue during the war.

Reenactments can be a fun way to learn about not only battles and military tactics…

Old World Wisconsin.

…but social issues and homefront activities—like the draft—as well.

Mary K. and Bev B. showing the type of relief activities undertaken by civilians, Sanford House, Old World Wisconsin.

I hope A Memory of Muskets:  A Chloe Ellefson Mystery can do the same thing.

Chloe’s Book Club: These Happy Golden Years

The cover of Happy Golden Years reveals the ending, but the book doesn’t begin happily.  Instead, Pa is driving Laura across the prairie on a bitterly cold day.

Only yesterday she was a school girl; now she was a school teacher. This had happened so suddenly. I remember reading this book as a child and being astonished that a fifteen-year-old could become a school teacher.

The challenges of teaching are dwarfed by the challenge of boarding with a bitterly unhappy couple, the Brewsters. This episode reaches a frightening climax with one of the most memorable scenes in the series—Mrs. Brewster threatening her husband with a butcher knife. Can you imagine being trapped in an isolated shanty while this was going on?

Garth Williams illustration.

The wife was so disturbed that when writing the book, Laura used “Brewster” as a pseudonym for “Bouchie.” This scene is a prime example of why re-reading the Little House books as an adult provides new insights. Chloe’s reaction to this scene in Death on the Prairie mirrors my own:

That particular scene had horrified Chloe as a child. Now, she felt sorry for Mrs. Brewster. Maybe she had post-partum depression. Maybe she had too many children and not enough food. Maybe the lonely frozen prairie was simply too much.

I wonder how many settlers virtually alone on the endless prairie, with nothing to do and nowhere to go and relentless snow and cold, succumbed to despair. This was edgy material in the early 1940s, when the book was published.

However, the depth of misery Laura experiences at the Brewster home makes it all the more rewarding when Laura is rescued…by Almanzo! The author skillfully tantalizes readers with a liesurely description of his arrival:

The (school) shanty trembled in the wind that every moment howled louder around it. Then, …It seemed to (Laura) that the wind had a strangely silvery sound. …She did not know what to make of it. The sky was not changed; gray, low clouds were moving fast about the prairie covered with blowing snow. The strange sound grew clearer, almost like mice. Suddenly the whole air filled with a chiming of little bells. Sleigh bells!

Almanzo and his beautiful horses take Laura away for visits with her family on weekends, each time saving her from spending two wretched and endless days at the Brewster shanty. The weather is often brutal—minus forty degrees, on one trip. Almanzo’s willingness to come reveal his feelings for Laura, and his fortitude and skills suggest that he’d be a fine life partner.

Of course, all does not proceed smoothly between the two. Laura initially sees Almanzo only as a friend of Pa’s. Unsure of his intentions, she gets the courtship off to an awkward start by making it clear that she does not consider him a beau.

Garth Williams illustration.

When she’s back in town with her family after the school term ends, she watches as many of her friends go for sleigh rides up and down the main street. Almanzo waits a while before showing up—cleverly, I think, choosing to give her time alone to think about whether or not she wants a beau.

She tried not to mind being forgotten and left out. She tried not to hear the sleigh bells and the laughter, but more and more she felt that she could not bear it. Her wistfulness as she watches her friends flash by once again makes his arrival that much sweeter.

Sleigh rides give way to buggy rides, and slowly, the two get to know one another. “You’re independent, aren’t you?” Almanzo asks at one point.  “Yes,” said Laura.

Garth Williams illustration.

I love the image of two shy people getting to know each other on long drives through the country. Laura didn’t provide much detail about their conversations, which is just fine.

On one of my visits to De Smet, a guide gave me directions to an area where Laura and Almanzo went for some of their long drives.

This book, originally intended to be the final book in the Little House series, begins to show us Laura the woman instead of Laura the girl.

Garth Williams illustration.

I have mixed feelings about the wedding scene. Part of me is delighted that Laura and Almanzo have reached the point of commitment. Part of me is sad because the child I had known through the first books is gone.

How about you? What did you like best (or least) about the book?

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

Next up for discussion:  The First Four Years.

Chloe’s Book Club: Little Town on the Prairie

Welcome back! I’m glad to be picking up the book club where we left off.

By chance, I attended a book signing at my local indie bookstore last week, and spotted this on the “Staff Picks” table:

How about you? I hope you’ll share your reaction to the book in the comments section below.

As a child, this was not one of my favorites—probably because Laura was growing up faster than I was. I’ve found the book much more satisfying as an adult.

One of the most poignant moments for me comes on page two. When Pa introduces the idea of Laura getting a job in town, Ma reacts: “No, Charles, I won’t have Laura working out in a hotel among all kinds of strangers.”  Pa responds, “Who said such a thing? …No girl of ours’ll do that, not while I’m alive and kicking.”

I know now that Laura did work in a hotel, and at a much younger age, when the family went through hard times and ended up at the Masters Hotel in Iowa. It’s telling, I think, that Laura presented that topic as she did in this book.

That moment is followed in the next chapter by one of my favorite scenes in the entire series. While walking with her sister Mary, Laura reflects on their improved relationship. Mary had always been good. Sometimes she had been so good that Laura could hardly bear it. But now she seemed different.

Our first glimpse of the girls in Little House in the Big Woods. (Garth Williams illustration.)

Laura has recently shared how annoying she used to find Mary’s behavior. Here’s Mary’s confession:

“I’m not really (good). …If you could see how rebellious and mean I feel sometimes, if you could see what I really am, inside, you wouldn’t want to be like me.  …I wasn’t really wanting to be good. I was showing off to myself, what a good little girl I was, and being vain and proud, and I deserved to be slapped for it.”

Laura is shocked by this confession, and so was I! Suddenly Mary, who’d been pretty one-dimensional in earlier books, jumps off the page as a complex and, to me, a more sympathetic character. To further the theme, later in the book Laura confronts the reality of Mary going off to college, and realizes how much she’ll miss her older sister.

A different “sisters moment” provides another of my absolute favorite scenes in the chapter titled “Sent Home From School.” When the vindictive teacher Miss Wilder orders young Carrie to rock her seat, which has come a little loose from the floor, Carrie is soon exhausted. Laura is so angry she takes over and soon is loudly thumping the seat back and forth.

Garth Williams captured the moment beautifully.

The girls were ultimately sent home from school, a punishment worse than whipping with a whip. Shocking! I think Ma and Pa handled it well.

Again, a little behind-the-scenes knowledge adds layers of complexity to this chapter.  Eliza Jane Wilder was destined to become Laura’s sister-in-law; Laura’s daughter Rose spent extended time with her. Still, Laura painted Eliza Jane as a petty tyrant who seems to torment Carrie in an effort to provoke Laura. That must have led to some interesting family conversations.

As in all the Little House books, the landscape is evoked in vivid detail, and becomes a complex character itself.  “The prairie looks so beautiful and gentle,” (Laura) said. “But I wonder what it will do next. Seems like we have to fight it all the time.”

Laura is just as skilled at describing the town itself, and her reaction reveals much about her:  The town was a sore on the beautiful, wild prairie. Old haystacks and manure piles were rotting around the stables, the backs of the stores’ false fronts were rough and ugly.  …The town smelled of staleness and dust and smoke and a fatty odor of cooking. A dank smell came from the saloons and a musty sourness from the ground by back doors where the dishwater was thrown out.

We’re getting toward the end of the series, and this is a transitional book.  Laura gets her first glimpse of Almanzo’s beautiful horses, her first job, her teaching certificate. She’s in her mid-teens, and her girlhood is fast slipping away.

PS – I stayed at a B&B in De Smet while working on Death on the Prairie,  and the proprietor told me that bluish-gray cats are not uncommon in town today. Perhaps they’re descendants of the kitten Pa brought home?

# # #

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

Next up for discussion:  These Happy Golden Years.

Chloe 8 Reveal!

I am delighted to share the news that I hit “Send” last night, turning in the manuscript for the 8th Chloe Ellefson mystery, Mining For Justice.

Chloe Ellefson is excited to be learning about Wisconsin’s early Cornish immigrants and mining history while on temporary assignment at Pendarvis, a historic site in charming Mineral Point. 

But when her boyfriend, police officer Roelke McKenna, discovers long-buried human remains in the root cellar of an old Cornish cottage, Chloe reluctantly agrees to dig into the historical record for answers.

She soon finds herself in the center of a heated and deadly controversy that threatens to close Pendarvis. While struggling to help the historic site, Chloe must unearth dark secrets, past and present . . . before a killer comes to bury her.

Pendarvis is a fascinating site, and Mineral Point is a fascinating town…perfect setting for a mystery!

Mining For Justice will be out in October, 2017, and is available for pre-order now (Amazon now; more vendors to come).

Gratitude Giveaway!

Thanks to my most wonderful readers, the seventh Chloe mystery is doing well!

In honor of A Memory of Muskets ranking in the Top 1% of all US Book Sales for 75 days, seven lucky people will be chosen to receive a signed and personalized trade paperback copy of one of my seven Chloe Ellefson mysteries—winners’ choice.

To enter, leave a comment below before Midnight US Central time this Sunday, November 20th. Winners will be chosen at random from entries here and on my Facebook Author page. Winners will be announced on Monday.

You can learn more about the Chloe series on my website. Good luck!

Chloe’s Book Club: On The Banks Of Plum Creek

Plum Creek is one of my favorites. As a child, I loved the notion of living in a sod house, loved vicariously playing in the creek, loved the image of Laura frolicking on the roof among prairie flowers while Ma irons below. And yes, while I’ve had some quibbles with Ma, I do give her full credit for moving in with grace after being informed the deal is done.

Laura’s descriptions of the new home are enchanting:

The creek was singing to itself down among the willows, and the soft wind bent the grasses over the top of the bank.

Red and blue and purple and rose-pink and white and striped flowers all had their throats wide open as if they were singing glory to the morning.

The book is full of childhood adventures (and misadventures). And, this is the book that gives us Laura’s nemesis, Nellie Olson.

But not all of the challenges are child-sized. Laura made poignant use of foreshadowing to set readers up for the crop tragedy.

Display at Laura Ingalls Wilder Park & Museum, Burr Oak, IA.

Early on, when Laura laments having cattle instead of horses, Pa promises that they will have horses again one day.

“When, Pa?” she asked him, and he said, “When we raise our first crop of wheat.”

When Ma says living in the dugout makes her feel like a penned animal:

Never mind, Caroline,” Pa said. “We’ll have a good house next year.  …And good horses, and a buggy to  boot! I’ll take you riding, dressed up in silks! Think, Caroline—this level rich land, not a stone or stump to contended with, and only three miles from a railroad! We can sell every grain of wheat we raise!”

Then Pa buys lumber for a new house (and windows, and a stove)  on credit, with a promise to pay when he sells his wheat crop. It’s difficult for repeat readers not to shout, “Don’t do it, Pa!  The grasshoppers are coming!”

Garth Williams’ illustration.

The enormity of the multi-year disaster the Ingalls family faced when their crop was devoured is hard to absorb.

But as always, faith, hard work, and a determination to make the best of things lead to a happy ending. Ma and Pa demonstrate perseverance to their daughters. It’s one of Wilder’s favorite themes, but understandably so; somehow, crisis after crisis, the Ingalls family did survive.

Today Wilder fans can visit the dugout site on the banks of Plum Creek.

Is Plum Creek one of your favorites too? What did you like, or dislike? I’d love to hear your thoughts!

***

Note: I am a former curator and love research, but I am not a Laura Ingalls Wilder scholar. For more academic information, see titles by William Anderson, Pamela Smith Hill, John E. Miller, and others. To learn more about the Chloe Ellefson Historic Sites mysteries, please visit my website.

Next up for discussion:  By The Shores Of Silver Lake.

A Memory of Muskets – Sneak Peek

After working for a year or more to write a manuscript, it’s always exciting to see the cover! Here’s the design for the 7th Chloe Ellefson mystery.

And, here’s a sneak peek at what’s inside.

Curator Chloe Ellefson is happily planning to spotlight home-front challenges and German immigrants at Old World Wisconsin’s first Civil War reenactment—but her overbearing boss scorns her ideas and proposes staging a mock battle. And when a reenactor is found dead at one of the historic site’s German farms, Chloe’s boyfriend, cop Roelke McKenna, suspects murder.   

The more Roelke learns about reenacting, the more he fears that a killer will join the ranks at Chloe’s special event. Then Chloe discovers a disturbing secret about Roelke’s Civil War-era ancestors. Together they struggle to solve crimes past and present . . . before Chloe loses her job and another reenactor loses his life.

Much of A Memory of Muskets takes place at Old World Wisconsin.  After several adventures in other locations, Chloe needed to get back to her own site. In the way-back days (1980s) I coordinated Old World’s Civil War event, with some dedicated reenactors providing the programming. I also was involved in reenacting myself.

Plot-wise, I felt it was time to learn more about Roelke McKenna’s background. Roelke is of German descent on his mother’s side, so I chose to focus on the experience of his forebears.

Can you imagine making the enormous decision to immigrate, only to face civil war? Some new arrivals had left Europe in part to avoid conscription, and wanted only to create a new home and live in peace. Others wanted to prove their worth, and support the government which had provided them a home.

Many readers say they particularly enjoy the Chloe mysteries that feature a historic plot strand braided with the contemporary mystery. In A Memory of Muskets you’ll meet Rosina, one of Roelke’s ancestors. (And for my Nordic friends—yes, it was tempting to write about the 15th Wisconsin, composed of Scandinavian immigrants! Perhaps another time.)

Death on the Prairie readers know that Chloe has a troubling experience in an old building at the end. She’ll confront that issue in the new book.

I’ll share more when the publication date (October, 2016) approaches. However, the book is already available for pre-order. (Including from independent bookstores!)

I love writing the Chloe mysteries, and sharing special places and stories. I wouldn’t be able to keep going without you wonderful readers.  Thank you!

Laura Land Tour: Bonus!

It’s been great fun to showcase the Laura Ingalls Wilder homesites featured in Death on the Prairie: A Chloe Ellefson Mystery. There are also a few sites I wasn’t able to include (much as I wanted to).

If you’re driving from Pepin, WI, to Walnut Grove, MN, an easy detour takes you to the Spring Valley Methodist Church Museum.

In 1873, Almanzo Wilder’s parents moved their family from New York to Spring Valley, MN. Six years later Almanzo moved to South Dakota, where he married Laura. After multiple tragedies, Almanzo’s parents evidently encouraged Almanzo, Laura, and daughter Rose to recuperate in Spring Valley. They arrived in May, 1890, and stayed until October, 1891.

The museum includes exhibits about the extended Wilder family, as well as other items of local interest.

If you’re heading west, and have even more time for a detour, consider a stop in Vinton, IA, where Mary Ingalls attended the Iowa College for the Blind.

I understand there are exhibits inside. The old building was closed for repairs when I visited, but I enjoyed imagining Mary on the campus.

And finally, Farmer Boy readers should keep the Wilder Homestead in Malone, NY on their travel wish list.

Almanzo’s boyhood home has been beautifully restored.

We owe another debt of thanks to the local residents who formed the Laura and Almanzo Wilder Association, and purchased the land in the 1980s. Archaeological studies determined that the house was original.

During my tour, it was very easy to picture the Wilder family in those rooms. (Alas, no interior photos allowed.) My favorite moment may have been examining the parlor wallpaper for traces of stove blacking.

The original outbuildings were gone, so the Wilder Association has replicated those structures. They relied on sketches Almanzo made for Laura when she wrote Farmer Boy.

Since so many scenes from Farmer Boy take place in the barns, that part of the tour was equally poignant.

The site is also special because the local landscape remains rural.

I expect the Wilders saw deer in the orchard too.

* * *

An aside:  Malone, NY, is not close to any other Laura sites. However, it is an easy drive from Sackets Harbor, NY, setting for my Caroline Abbott books from American Girl.

And, I’ve yet to visit the Keystone Area Historical Society in South Dakota.  Carrie Ingalls lived here for 35 years, and the museum’s collection includes family memorabilia. I think another road trip is in order…